‘The Secret Garden’ at The Children’s Theatre

SALT LAKE CITY — The Secret Garden is one of the most beloved stories in children’s literature, and though many have tried to capture its essence in film and theatre, I have seen few that I’ve been satisfied with. This adaptation by Joanne M. Parker was one of the more honest and refreshing I have come across. It was purely a story of a girl nurturing a lost and forgotten garden and healing herself in the process.

Upon entering the theatre, I found myself drawn in by its inviting atmosphere. No programs were distributed, no names mentioned; the world of the story was all that mattered. Music played softly, and lights in shades of green and gold shown on the thrust stage, creating a welcoming place for children to get out their wiggles before the show began. It was all very magical.

The set itself was one of the greatest achievements of the production. Though the space holds only two rows of seats hedged about on its three sides, this intimate little theatre was very clever in spectacle and used moving projections, changeable sets, and intricate lighting design. One moment we were watching the darkened hallways of Misselthwaite Manor, and the next we where in a transforming garden.

Mary Lennox (Lucy Holmgren) looked perfect for the part, and I am interested in seeing her explore a wider choice of emotions as the run continues. Colin Craven (Cameron Colony) could certainly hit a punchline, but I hope he can find more moments of delicacy and honesty in the coming performances. Perhaps the strongest performance came from Martha, played by Jessica Wilson.  She really was impressive and showed great sensitivity and wit in her portrayal.

All in all, I left the theatre feeling pleased with what I saw. While sometimes the script felt a little condescending when explaining things that were implicit in the action, it was very close to the text, and that was refreshing. Though some of the acting was understandably adolescent, the overall effect was quite charming. The children around me were captivated and entertained, and I went home thinking about my own little patch of earth waiting for me as gardening season comes around again.

The Secret Garden plays through April 10th Fridays at 7 PM, Saturdays at 1 PM and 4:30 PM.  Performances take place in The Children’s Theatre located at 237  South State Street in Downtown Salt Lake City.  Tickets are $12 and can be purchased by phone (801-532-6000) or online at TCTheatre.org.


About Daniel Anderson

Daniel Fenton Anderson is a theatre student at UVU. He acts, sings, writes, plays music, and is also a co producer of the Grassroots Shakespeare Company. He speaks french and loves cooking. He wishes he had a dog.

  • GordanR

    I saw this show…. i quite frankly do not know what to say about it. It made me sad.not sad for any of the characters in the show but sad for the people on stage. I have seen alot of shows at the childrens theatre and have loved almost all of them.i have no idea what they did. The direction of the show was not all there it seemed like it had been changed so much from one thing to another leaving the actors stressed or confused. Ms. Lucy Holmgren be the sweetest girl you ever meet needs to back off of the shouting all of her lines great stage appearence and acting skills for her age. Mr. Cameron Colony i dont know if it was a character choice or the directors choice Colin is not suppose to be funny all the time he is suppose to be a whiney brat alll the time. Sure he can lighten up as the show goes out through the night but not funny all the time. when i saw the show the director got up in the middle of the show walked on stage back through the garden enterance!!! That my friends is not professional The childrens theatre has been known for its professionalism! and that my friends makes me wonder what happens during the rehearsal process of their shows.

  • Concerned Reader

    Not sure WHO GordanR is but he seems like an insider with many opinions and is venting frustration and pride in The Children's Theatre Company, pointing out actors and people he/she dosen't like. The writing seems juvenille as well, so perhaps it's a younger person who has been involved. I suggest his comments be disregarded.

  • GordanR

    Well I have no idea who you are concerned reader and I quite frankly do not care what you think about my comments because yes it is true that I work for alot of thatres in the state of utah and yes I do critique theatre I do it because I love theatre and you have no right to say that my comments are bad if you think they are that bad don't read them because I have the right to choose to say what I want to say. So to you concerned reader please so not tell me what to do or what to say about theatre this is a website to tell the people how you felt about the shows and what you saw. On that note I would like to thank the UTBA for letting me comment an share my oppinoins but Mr. Concerned reader if you can not read these with out getting upset I think you are the one that is juveinile and needs to grow ip and stop being stubborn of hat one has to say . To UTBA sorry for arguing with this poor concerned person an hope that you do understand why I post comments and oppinoins.

  • SMITHAJ

    No No you are right concerned reader it sounds like someone is jealous of the childrens theatre i have worked there and loved everybody i have worked with! THE CT ROCKS highly recommend auditioning and working there the best time you will have Ever!

  • http://www.facebook.com/people/Daniel-Joseph-Anderson/557234778 Daniel Joseph Anderson

    I was looking up past reviews I had written to see how my style has changed from then to now and happened across this little thread. While I feel like the words of GordanR are quite strong, I agree with his statements and saw these aspects when I saw the show. This is not mere jealousy. I had never seen a show at this theatre, and while I was enchanted by what it had to offer, it did have its problems that I tired to point out as delicately as possible. Furthermore, while this did not happen to me when I saw the show, I agree that a director should never interrupt a performance once it begins its run, no matter what. That is not a standard we should be upholding in any way, even in community theatre. The biggest thing to remember, however, and something of which I had to be reminded by my editor in writing this review, is that this is children’s theatre. While we can’t indulge in bad art, we must remember that these children simply do not have the training that older actors have received. They will get confused, they will think they have to shout if they want to seem angry, and by jove they will sometimes milk a joke for all its worth. That’s why rather than straight out criticizing what the children presented, it may be better to try to open their eyes to new options they had not thought of before. Just a thought. I know this was discussed ages ago, but as the reviewer for this show, I felt I should address these comments.